SOMEONE FUCKING SAID IT
Uaaah okay now I have to do a feelings post on these three darlings.
Mabel, Grenda, and Candy are the most adorable little girls ever on TV and I’m so glad they exist as sympathetic characters instead of ‘weirdos’.
Grenda is big and butch and has a lizard, all of which are very taboo traits for a young girl to have, and the writing does show that she is bullied for these things.
Candy is shown as obviously foreign, probably having learned english as a second language, and shows an interesting and unusual train of thought - trying out things in a junior science kind of way.
Both these characters would probably have been scripted as unsympathetic on any other show, but they aren’t. They become Mabel’s friends within the first two minutes of showing up.
And the way Mabel reacts to them.. just.. “I’ve found my people”. She recognizes them as kindred spirits and tries to win a competition for THEIR SAKE.
It’s just a really good, sweet portrayal of girl friendships.
I prolly cried a bit.
I just really like this show and Mabel is great for everyone, okay?
This is like my third or fourth list
But I’ve found another site where you can watch Sailor Moon (subs) online. It has all the seasons but I didn’t see the movies. I use this site all the time though and it’s really good and also has a mobile option if you want to watch on your phone!
I also have a bunch of other links and links to the movies on my blog. I also have links to the Sailor Moon dub. [HERE]
GOD BLESS YOU
Passing this along.
The Mrs Carter Show World Tour 2014.
the rawness up close ➝ ziad ghanem f/w 2010-11
Seriously tho. Why *should* she be asked to smile?
Asking a woman to smile is to make her more approachable. It’s to make you feel more comfortable - not her. I, personally, have zero fucks to give about being approachable to strange men on the street. Women are not here to entertain and please random folks.
Asking me to smile is akin to asking me to jump. Um. For what?
There’s this weird responsibility placed on women to be happy and lady-like and pleasant all of the time. It rids us of being able to express our own range of human emotions.
No one is asking for men and women to not interact with each other. That’s silly. This project is asking for women to be interacted with as if they have agency over their own bodies."
Creator of the Stop Telling Women To Smile project responded to a person who thinks women not smiling on demand is proof of the end of the world and division among men and women. (Seriously? WTF.)
Funny…I told my best friend about that person’s comment and she said it is the end of the world and division…for that person. A world shaped by the status quo is a world being shaken by the resistance to this status quo. The amount of hatred and bile I’ve faced since I started speaking out about street harassment has been interesting in that some men genuinely process harming women as necessary to their masculinity and thereby their identity. They think critique and rejection of street harassment is an attack on their identity, which is frightening…
"Asking me to smile is akin to asking me to jump. Um. For what?"
A lot of guys seem to interpret “don’t tell women to smile” as “women won’t ever smile again,” which… says a lot.
collections that are raw as fuck ➝ balmain f/w 2010-11
getting captchas right
getting captchas wrong
This is the best thing and i will reblog it till I die
Dress, silk satin, voided silk velvet and lace, 1910s, American.
- Social Justice Warrior
- Social Justice Paladin
- Social Justice Hunter
- Social Justice Rogue
- Social Justice Priest
- Social Justice Death Knight
- Social Justice Shaman
- Social Justice Mage
- Social Justice Warlock
- Social Justice Monk
- Social Justice Druid
Anonymous asked: what did you think about frozen after watching it?
okay i kinda went into this before and this is probably the last time im gonna talk seriously about frozen on this blog (just tired of it by now really)
first and foremost, the thing people keep skirting around to squabble over animation errors and other pointless junk: FROZEN IS RACIST. racist as SHIT and if you disagree then you’re probably a willfully ignorant raging disney fan and also undeniably racist. sorry hard facts to face but it’s more than likely true.
- they used Sami people as an “inspiration” without paying any respect to Sami culture. they ABSOLUTELY appropriated an indigenous culture, and what’s worse, they tore it apart, discarded most of it and whitewashed it to the point that HARDLY ANYONE CAN TELL SAMI CULTURE WAS EVER EVEN INVOLVED IN THE PROCESS. WOW WHITE PEOPLE ARE SO GOOD AT THAT. BUT IT DOESNT MATTER CAUSE IT WAS PRETTY RIGHT??? THEY WORKED SO HAAAARD WHO CARES IF THEY’RE RACIST.
- that chilling, moving chanting in the beginning of the movie that so many people love? that’s a Sami yoik, a traditional Sami song.
- how about that goofy reindeer? reindeer husbandry is a HUGE aspect of Sami culture (and many indigenous cultures since ancient times- reindeer are thought to be the first domesticated animal) like i know you see it as just an animal BUT IT’S NOT JUST AN ANIMAL TO SAMI PEOPLE. if you even casually research Sami culture you would know this, and obviously Disney researched this enough to know about yoik songs and reindeer herding.
- SAMI PEOPLE WERE FORCED TO ASSIMILATE and colonized by white people (sound familiar), and one of the main reasons their culture and language survived was because of areas they continued to herd reindeer.
- "Today, in Norway and Sweden, reindeer husbandry is legally protected as an exclusive Sami livelihood, such that only persons of Sami descent with a linkage to a reindeer herding family can own, and hence make a living off, reindeer." REINDEER ARE SO FUCKING IMPORTANT TO THEIR CULTURE IT’S A LEGALLY PROTECTED RIGHT NOW. kind of gross to use a reindeer in such a slapstick manner, especially when Sami culture has pretty much been drained out of the movie, isn’t it? not to mention all the obvious errors in research, as in, reindeer have no problems on ice, you can’t ride a reindeer like a horse, etc etc…. but that’s besides the point.
- SAMI WERE PREDOMINANTLY POC. it’s kind of like american indians these days- yes, some of us are still brown, but MANY of us are white-passing. THATS WHAT HAPPENS WHEN YOU’RE COLONIZED, TURNED INTO SEXUAL SLAVES AND FORCED TO ASSIMILATE. people like to pull up pictures of modern Sami and scoff at this debate like they even know what they’re talking about- no, you shitwads. you sad, sad little fucks. fantasy, fiction, magical, whatever- if it’s set in a historical timeframe, it should pay respect to historical facts.
- KRISTOFF SHOULD HAVE BEEN A MOC. it’s not surprising he was whitewashed- if they had modeled him accurately IT WOULD HAVE BEEN THE FIRST INTERRACIAL COUPLE IN A DISNEY MOVIE FEATURING A WHITE WOMAN + MOC. huh, there’s plenty of disney white man + woc couples. wonder why that is??
"but ooorreeeee!! i can’t face my blatant acceptance of racism, cultural appropriation of indigenous cultures doesn’t mean jack to me… what was wrong with the STORY? it had so much heart, it was a perfect movie!!!…"
WELL OK THEN HOTSHOT LETS JUST DIVE IN TO ALL THE OTHER REASONS FROZEN WAS AWFUL.
- Anna is the most boring character i’ve EVER seen disney pull out of their ass. she’s basically an even more dense and bland version of Rapunzel, not just in looks! but in naive, “omg so awk” personality, and even more useless to boot. (at least Rapunzel had some character development and mad hair lassoing skills.)
- Kristoff is a total shitwad meathead, whose charming introduction was getting into Anna’s personal space and intimidating her out of his way. wow, such a stud. blossoming romance there. total feminist movie when the hero/love interest belittles the heroine/main character every chance he gets.
- Hans was a terrible villain. the whole “keep him the nicest guy ever so people flip out when he’s a total asshole” thing is soooo lazy and honestly doesn’t even make sense. the first scene we see him in, Anna runs off and he gets dropped into the water- he surfaces, all alone, and instead of being pissed off or at least annoyed that he got soaked (pretty standard reaction for anybody) he smiles dreamily like its nbd, like he’s just the sweetest thing that ever lived. at nobody. no one around to impress. that scene should have just been cut, tbh, because it’s too unrealistic and contrived to have moments like that and then whip around and say “ah-ha!! he’s been planning it all along!”
- Anna and Hans was actually PROBABLY one of the most believable disney romances i’ve ever seen. they connected, they hit it off, the sense of humor was there and the chemistry was just right. infatuation set in. this is super, super clumsy writing because ohhh my god, this whole movie becomes a broken record of “ur so DUMB, anna!! you only knew him for a night!!” but in the end Mr. Right is evil, everybody and their mother knew Anna’s true feelings before she did, and SHE STILL ENDED UP WITH SOMEONE SHE’D ONLY KNOWN FOR A COUPLE DAYS. the entire movie was a shame-fest for being crazy for a dude she just met, and then it ended with her hooking up with ANOTHER dude she’d only just met!!
- this movie was really, really sexist. i don’t know why everyone’s calling it so feminist or saying it’s a movie about sisters, because the sisterly stuff probably only took up 15% of the movie, and i can’t even think of anything feminist about it.
- sexism exhibit A) Kristoff berates her and judges her, as a stranger, multiple times (so many times i wanted to barf) for wanting to marry someone she’d just met. is marrying someone you’ve just met a good idea? no, of course not. who’s business is that, though? a planned love interest, i guess. it sent this message over and over that men are the rational ones, and any man who would agree to a marriage like that is up to something (bc men aren’t that irrational of course)
- sexism exhibit B) Anna couldn’t do shit on her own, and it was played for laughs. silly Anna. you think you’re so capable but ha ha ha you’re not. you need a man to save you, or shit, just a snowman will do.
- sexism exhibit C) remember the “girls have to be pretty” comment? because of that, nONE of the female characters showed any believable range of emotions, they were always graceful and pretty and cute. pretty shallow whitewashed eyecandy.
- as far as “sisterly” stuff, it was absolutely the only good part of the movie, but calling it “good” is quite a stretch. enjoyable, maybe. worth watching? ehhh. when Anna’s trapped by Hans and he divulges his villainous plan to kill her sister, what does she do when a snowman somehow accidentally picks the right lock on the right door and stumbles upon her weak little body? she starts thinkin’ bout BOYZ. not her sister who’s about to die. naaah, ~~*~*~*~love!~*~*~~*~~
- enter a love life lecture from a fucking snowman who’s only been alive for barely a day. “true luv is like, hmmm, like when kristoff brought you here to hans and left forever, omg, kristoff is so great. thats tru luv, anna. i know you had a whole song and dance number DRILLING IT INTO YOUR BRAIN that you should marry and adore this dorky meathead, but i thought i should remind you. kristoff. omg there he is!! somehow he knew to come back!!”
- ANNA’S FEELINGS DON’T EVEN MATTER. like, i don’t even know who Anna is after she jumps around her castle, bored out of her mind, and then stumbles out into the narrative. there’s no focus on Anna as a person, only her love life and trying to get Elsa to come home and knock off that wintery wiz biz. but her feelings? her thoughts, the way things have changed her? is she even lonely without her sister? is there anything more to her than being easy to laugh at and banter? did anyone even think about that, or was this just some kind of “meh, this first draft is good enough” movie?
- Elsa, to a lesser extent but not enough to matter, is in the same boat. where did her powers come from? how did she get chased out of her home, her kingdom, her castle, by her people, away from her SISTER and whats left of her broken family… end up at a mountain in like 20 mins (can she fly?? Anna ran out in her ball gown and it took her forever to even get close to the mountains on horseback) and then go “fuck it! hahahaha!” and build a castle in glee. where did that come from? she didn’t get any time to reflect, on screen, what just happened, and overcome it. it was literally just “aahhh! fuck fuck fuck damn it oh no” to “lmao im so fucking hot i love me” ??????
- the whole ending with the “omg do i kiss this boy who everyone TELLS me is my tru luv or do i save my sis?? omg im dying!! which one!!” was sooooooooooooooo weak. like, that could have been so much better. and it doesn’t even really matter it all ended on a “sisters4lyf” note because it was all so contrived and jerked into place to get there, it didn’t feel natural and just came outta nowhere. why was it even a QUESTION to kiss kristoff?? if this was such a sisterly movie, shouldn’t Anna have CARED more about her sister? ran off to save her as soon as olaf opened that door? ran over to save her when she saw Hans ready to chop her in two?? that’s the problem- this whole story was so poorly written without any heart or soul or thought to the characters, it doesn’t even resonate or make sense. the characters are flat, boring, and mostly pretty. there was such an emphasis on style and beauty and rendering that they completely overlooked the actual substance to any animated film- the story. the way it unfolds, the way the characters change. it was all forced together so brutally it was just a complete, awkward mess. the villain was forced, the love was forced, the change was forced, and even the narrative itself was force feeding the audience and telling, not showing, them what to think. that’s lazy. thats piss poor writing. even the songs were pretty weak.
and that’s all i have to say about it.
if you liked it- whatever. if there are things in the movie you liked well enough to find it tolerable- whatever. but don’t lie to yourself and say this is some fantastic game changing movie, “disney’s best” since whenever, because all you’re doing is letting disney set it’s own standard based on brand and not product, and that’s a shame. if you expect more, you’ll get more. if you don’t expect anything and you’re ready to gobble up any movie they shit out, soon enough their laziness will get to a point where you’re not even enjoying it anymore, and you’re disappointed.
but crappy writing and characterization aside- THIS MOVIE WAS RACIST. deal with it. it was racist as fuck and that’s actually the most important thing to realize here. expect more from the story, sure, but DEMAND disney to stop appropriating cultures with their own sloppy takes on them. finally come to terms with the fact disney is racist, and stop coddling and sucking up to a fucking industry giant (that doesnt need any of that, seriously, they’re worth billions of fucking dollars and can fund anything they want) and start giving a shit about how DAMAGING disney can be. kid’s movies? yeah, where do you think all these problems start? don’t you think a corporation whose demographic is young children should, uh, TRY a little harder to not spread racism and sexism? so many of you think that movies directed toward children should be taken less seriously and be held to a lower standard, but i think that’s fucking horrible and disgusting. if anything, disney (and any studio that produces content for young people) should be NITPICKED TO THE BONES. criticized for every frame, every word, every message it sends. kids absorb this shit. little girls need to see body diversity. poc NEED to see themselves represented.
kids notice this shit and disney is held in such a high regard, they trust it without question. why the fuck wouldn’t we tear it apart, inch for inch? why wouldn’t we expect excellence, if we’re going to hold disney above all the rest?
(my theory is emotional manipulation, using your childhood memories and fondness for animated films to manipulate a market- generations of people fond of disney, they pass it down to their children and siblings, this sort of brand loyalty that makes people FUCKING INCREDIBLY prone to accepting anything disney makes. this is why Frozen infuriates me, and it’s a goddamn shame everyone takes this kind of junk without question. c’mon. disney is a business, not some wise old geezer telling you bedtime stories. they keep their princesses pretty and white to sell you merch you’ll buy. they toss in a few poc films, skew the facts beyond recognition to uphold whiteness, so you think they’re inclusive and poc can’t complain. give me a fucking break.)
miss-ingno asked: I've seen a lot of female characters in fiction being sorted into two camps: the "weak" emotional, sensitive females and the "strong" cold-hearted, kickass females. I'm always scared that when I write that my female characters fall in either those categories or are left behind in a tag-on love-interest way. Or become Mary Sues. How do you find a balance?
DANGER, WILL ROBINSON. THIS QUESTION IS A TRAP.
I mean, look, it’s not your fault that it’s a trap; don’t feel bad. You didn’t build the trap. You may not even know you’re in there — god knows I didn’t, in the years I spent asking myself and others this question and questions like it. It’s a good trap. It’s tricky. It gets almost everyone, at some point or another. There are a lot of people who never actually find their way out.
But, hey, don’t take my word for it. A trap is easiest to identify in action, after all. Let me show you how it works.
You should write strong women — but not too strong, because then you’re saying that only strong women are valuable, and that’s wrong, and you’re writing women wrong. So you should write weak women — but not too weak, because then you’re saying that all women are weak, and that’s wrong, and you’re writing women wrong. So you should write women who are both strong and weak — but only in the right ways, of course, because if you write women who show strength and weakness in the wrong ways then you’re only enforcing the idea that women can’t handle themselves, which is wrong, and you’re writing women wrong. Make sure you write women with flaws, because that’s how you develop interesting characters — but not too many flaws, and definitely not the wrong ones, because then you’re saying that all women are inherently flawed, and that’s wrong, and you’re writing women wrong. But don’t write them without flaws, because then they’re too perfect, and that makes them a Mary Sue, and that’s wrong, and you’re writing women wrong. HOW DARE YOU WRITE WOMEN WRONG. Don’t you think it would be better not to write women at all?
See? It’s a trap. And it’s not even a trap in the way you think, either, because the issue here isn’t that you can nitpick out in any direction and then yell HERE IS AN ARBITRARY REASON YOU ARE DOING WOMEN WRONG — that’s a problem, don’t get me wrong, and its own trap to boot, but it’s not what we’re talking about right now. Like, it definitely sucks, but that happens all the time about all kinds of things (Women shouldn’t sleep with too many people, BUT ALSO NOT TOO FEW; women shouldn’t compromise themselves for their spouses, BUT HOW DARE THEY NOT DO THAT; I could go on but, like, why), and it doesn’t have shit to do with how you tell a story unless you let it.
Naw, friend, the trap here is the idea that you are writing women. You’re not. You’re writing a woman. One person. Every time you write a female character, that’s what you’re writing — just that one. She’s not an archetype, she’s not a statement on All Women Ever, she’s just a person. Singular. Solo. The same way (I hope?) you don’t think, “What is this male character saying about every single dude who has ever walked this earth?” whenever you write guys, so you should avoid thinking that when you write ladies. They’re just people. They don’t have to Be Everything — the idea that women have to Be Everything is enough of a drag in day to day life, you know? It doesn’t need to be given any room to strut around in your writing.
Build her, and not who you think she’s supposed to be: that’s how I do it. What’s she afraid of? What does she believe in? What’s the most embarrassing thing to ever happen to her? The best meal she’s ever had? How would she describe herself if she had only five words to do it? What makes her laugh? What makes her cry? What does she think people want her to be, and what does she want to be, and is there a space between those things, and how does she fill it, if there is?
Nadia, one of the main characters in my novel — she’s a chef, because she likes the simplicity of food, the fact that it’s incredibly difficult to disappoint it, that its nuance is in physical construction as opposed to conceptual tone. She’s spent so much of her life desperately trying and cataclysmically failing to be the person her parents want her to be that she projects a certain amount of hostility towards everyone else, almost daring them to demand anything of her at all. She is hesitant to trust, because she has regretted trusting in the past, and she’s the sort of person who takes regret as a sign that she, herself, has done something wrong, something she should resist repeating in the future. She sneers because she’s used to being sneered at. She smiles when she feels someone has earned it, because that’s more or less the only way she’s ever received that reaction herself. And the thing is, for all I know this now? When I first thought about her, all I knew was her name and her profession. But I built her out out from that, thinking about how she, personally, came to be where she was, as opposed to how women, in general, might come to be in that place. It’s a much more effective strategy, in my experience. Less anxiety-producing, too.
Whoever your female character is, the more you know about her as a person — the more real she feels to you — the less you will feel like that other shit, the what-if-I’m-writing-women-wrong-shit, matters. Because it doesn’t; the truth is the trick, the really important thing to remember in writing women, is to write them one at a time. To write them into individuals, as opposed to into boxes. I hope that helps <3
it just absolutely blows me away that trans people are literally murdered on a regular basis for being trans and people on...